A phrase on the front of a shirt won't get you a trademark on its own. See how the USPTO reads t-shirt designs and what makes a slogan registrable.
Trademark a Design: What Can and Can’t Be Protected
Written by Emily Brooks ·
You can trademark a design when it identifies the source of your goods and services rather than just aesthetics. That covers logos, distinctive packaging, product shapes, and color schemes (collectively, trade dress), as long as the design is distinctive and not functional. Trademark isn’t your only option, though: copyright protects creative artwork automatically, and a design patent protects a product’s ornamental appearance for a limited time, so many brands use more than one. Before you spend anything on a trademark application, run a search to make sure your design is clear of conflicts.
What Counts as a Design in Trademark Law
A “design mark” is any trademark whose value lies in the look rather than the words it spells. So, can you trademark a design? Yes, but only when it works as a source identifier (meaning that customers can specifically tie the design to the company that uses the mark). If you’re new to the basics, our guide on what trademarks protect covers the foundations.
The most common design trademark is a logo, like a graphic, an emblem, or a stylized rendering of your brand name. For example, take Coca-Cola logo has the hallmark flowing lettering and the “wave” that was introduced back in 1969 and changed slightly over the decades, which are all trademarked. When trademark as a design like this, you’re protecting the artwork and styling as filed rather than the plain text in it. A business often files both a standard word mark for the name and a design mark for the logo to cover both angles.
The next category of design trademarks is the overall look of your product or packaging: its layout, graphics, and color combination. These can all function as a trademark when customers come to recognize it as yours and are part of “trade dress.” An example here is the Louboutin red sole, which is firmly recognized within the industry as belonging to the company when the rest of the stiletto isn’t red.
But trade dress also stretches to colors, three-dimensional product shapes, and even store layouts. A specific brand color or a product’s silhouette can be protected, but only when buyers associate it with your brand. Because color and shape are rarely distinctive on their own, they usually require evidence that the public links them to your brand. Our guide to trademarking a color can explain that further.
Trademark vs. Copyright vs. Design Patent
A trademark is one of three tools that can protect a design, and they cover different things. A trademark protects a design that identifies your brand, lasts indefinitely as long as you keep using it, and stops others from causing consumer confusion.
Copyright protects original creative work (the artwork in a logo, an illustration, a pattern) the moment the design is created and fixed in a tangible medium, with no filing required. It guards the creative expression, not the source-identifying role, so it won’t stop a competitor from using a confusingly similar mark on similar goods the way a trademark would. Logos can carry both, which our guide on copyright vs. trademark for logos unpacks.
A design patent protects the new, ornamental appearance of a functional product, like the curve of a bottle or the face of a watch. Unlike a trademark, it doesn’t depend on brand recognition, but it eventually expires (currently, 15 years after registration in the U.S.), and the design must be novel. The USPTO’s design patent guidance sets out what qualifies.
These aren’t mutually exclusive, so one company might apply for multiple forms of IP protection. A product’s shape might earn a design patent now, protecting its look while it’s new, and trade dress trademark protection later, once shoppers recognize it, while copyright covers any artwork on it.
What Makes a Design Distinctive Enough to Register
Distinctiveness is what separates a registrable trademark design from mere decoration. A logo that’s inventive or arbitrary is usually inherently distinctive and can register on its own strength. Product shapes, packaging, and colors are held to a higher standard: they almost always need secondary meaning, which is proof that customers have come to see the design as a badge of origin rather than ornamentation.
To establish it, the USPTO weighs evidence like the length and exclusivity of your use (five years of continuous use is a common benchmark), advertising spend, sales volume, consumer surveys, unsolicited media coverage, and even proof that competitors have deliberately copied the design.
The other half of the test is whether your design is too close to an existing one, since the USPTO will refuse a mark that creates a likelihood of confusion with a registered design. Checking that early is why a trademark search matters before you file an application and pay the non-refundable fees.
Why Functional Designs Usually Can’t Be Trademarked
If a design feature exists because it works better, not because it identifies your brand, trademark law won’t protect it. This is the “functionality” requirement: a feature that’s essential to how a product works, or that affects its cost or quality, is off-limits as a trademark, no matter how recognizable it becomes. Functional features instead belong to patent law, which grants a time-limited monopoly, while a perpetual trademark would instead lock them up forever. If your design’s standout feature is a vital part of how the product or service functions, a patent is the better route.
Filing a Design Trademark in Color or Black and White
One early decision is whether to file your design in color or black and white, which can narrow the scope of your protection.
Filing in black and white, with no color claim, protects the design regardless of the colors you use it in. It’s the more flexible choice, covering your logo whether it appears in navy, red, or grayscale, which suits brands that recolor their mark across contexts. The USPTO’s rules on mark drawings explain how this is handled.
On the other hand, you can claim a color trademark when a specific color combination is central to the brand, and you want to own it as part of the mark. The trade-off is that the mark ties your registration to those exact colors. As a rule, file in black and white for flexibility, and claim color only when the color itself is a distinctive part of what you’re protecting.
What to Have Ready Before You File
A design trademark application asks for a few specific things:
- You’ll need a clear, high-quality image of the mark exactly as you want it protected, meeting the USPTO’s formatting standards. The drawing defines the boundaries of your rights, so an inaccurate or messy image can limit or undermine your registration.
- A specimen shows the design in real use in commerce: on the product, its packaging or tags, or, for services, in marketing material. Mock-ups and concept art don’t count; the USPTO wants proof that the mark is actually being used, as its drawings and specimens guidance spells out.
- Every application ties the design to specific goods and services, sorted into international classes. Your protection only extends to the classes you file in, and each class adds to the cost, so choosing matters accurately. Our guide to trademark classes can help you map yours.
Design Trademark Costs, Fees, and Timeline
Expect a government filing fee charged per class, plus any professional help, and a timeline measured in many months rather than weeks.
Currently, the TEAS Plus application fee is $250 per class, while the TEAS Standard fee is $350 per class. Filing in several classes multiplies the filing fee, and custom descriptions, attorney support, and responding to any refusals all add to the bill. A design that needs a professionally prepared drawing can cost a little more to get application-ready.
The most common refusal is over a conflict of existing trademarks (meaning another company already has a similar design mark registered). However, the application can also be refused if the design is determined to be functional, or if it lacks sufficient source identification, sometimes due to inadequate examples. Each round of back-and-forth with the USPTO to resolve these issues can add months and cost hundreds of dollars on top of the base fee.
Can You File a Trademark and Design Patent for the Same Design?
Yes, and for the right design, it’s a smart combination. A design patent protects the ornamental look for its limited term, which is useful before your design has built recognition, while a trademark can protect the same design indefinitely once it functions as a source identifier. Because both require the design to be non-functional, a single ornamental design can satisfy them.
Registering a Design Trademark Outside the U.S.
Trademark rights are territorial, so a U.S. registration doesn’t protect your design abroad. To cover other markets, you file in each country or region directly, or use the Madrid System to seek protection in multiple countries from a single application. Since rules on trade dress and non-traditional marks vary by jurisdiction, you also need to plan country by country. For example, India has convoluted trademark law concerning color, where it only recognizes “combinations of colors” in its trademark law but has confusingly allowed some trademarks with a single color while refusing others.
To streamline this process, you can use Protect.TM’s international registration to get a comprehensive view of possible conflicts, direct help from attorneys, and coordinate filings across the markets you care about.
After You File
Filing is the start, not the finish. Your application is examined, then published for opposition, and only then does it mature into a full trademark registration.
Once registered, a design trademark lasts as long as you keep using it and file the required maintenance and renewals (our guide on how long a trademark lasts covers the deadlines).
Protection is only as strong as your enforcement, so monitor the market for copycats, act on infringement when you find it, and consider a trademark watch to catch conflicts early.
Your design has its strongest protection once it’s registered. Run a free trademark search on Protect.TM before filing.
Frequently Asked Questions
What can you do if someone copies your logo before it’s registered?
Using a logo in commerce can create common-law rights in your trading area, and the artwork may be protected by copyright, so a cease-and-desist letter is often a viable first step. But your position is far stronger with a registration behind you, which is exactly why filing sooner rather than later pays off.
Do you need a new trademark if you redesign your logo?
It depends on how many changes. Minor tweaks that keep the same overall commercial impression can usually live under your existing registration, but a redesign that materially changes how the mark looks generally needs a new application, because a design mark is tied to the specific image you filed.
Can you apply to trademark a design before you’re using it in commerce?
In the U.S., you can file an intent-to-use application based on a genuine plan to use the design, then submit a specimen proving real use before the registration is finalized. It lets you claim your place in line early while you finish getting to market.
Who owns the trademark rights to a design: the business that paid for it or the designer who created it?
Trademark rights belong to whoever uses the design as a brand identifier in commerce, which is normally the business, not the designer. Copyright can start with the designer unless your contract assigns it or it’s a work made for hire, so always get a written assignment of the artwork to avoid a split between who owns the trademark and who owns the underlying design.